Livebox

Chapter 8 - The Midnight BroadcastThe main broadcast studio of WBN-Boston was typically a quiet skeleton crew at 4:30 in the morning. The night anchors were running pre-taped segments on local weather and offshore fishing reports while the production engineers drank stale coffee in the control booth.

That quiet was permanently shattered when Victoria Harrington walked through the glass security doors of the lobby, holding a sleeping Lily in her arms and flanked by a bloodstained, limping Julian Vance.

"My name is Victoria Harrington," she said to the terrified twenty-two-year-old security guard at the desk, throwing her federal bar card and her encrypted flash drive onto the counter. "I need your station manager. Right now. If you don't put us on the air in ten minutes, there is going to be a mass casualty event in your parking lot."

Within seven minutes, the executive producer of the morning news network, a seasoned journalist named Marcus Torres, was standing in the green room, his shirt unbuttoned, his eyes wide as he reviewed the financial data Victoria had loaded onto his terminal.

"This is insane, Victoria," Marcus whispered, his fingers trembling as he scrolled through the receipts of the Lockhart Trust and the operational orders from Blackwood Security. "You are alleging that one of the oldest families in the state is currently running an active contract hit on a corporate attorney inside the city limits?"

"I am not alleging it, Marcus. I am presenting the co-conspirator," Victoria said, pointing to Julian, who was currently receiving basic first aid from the station's security team. "Julian Vance is ready to confess on live television to the entire operation. The wire fraud, the zoning bribes, and the liquidation of the maritime trust. We need the cameras on, Marcus. Now. Before the men outside cut your station's power grid."

"We can't just interrupt the national feed without corporate approval—" Marcus began.

"Look out your window, Marcus!" Julian shouted, dragging himself to the glass wall of the upper studio.

Down in the plaza below, two sleek, black utility vans had just pulled over the curb, their headlights turned off. Six men in tactical vests and carrying compact automatic weapons were sprinting toward the station’s side entrance.

Marcus Torres looked at the plaza, then at the blood on Julian’s face, and finally into the fierce, unyielding eyes of Victoria Harrington, who was holding her daughter tightly against her chest.

The journalist inside him finally woke up.

"Kill the national feed," Marcus roared into his headset, slamming his hand onto the main console of the control room. "Bring up Studio B. Put the morning anchors on the floor. Get this woman a microphone! Go live in thirty seconds!"

The bright, blinding red light above the studio door flashed into existence: ON AIR.

Victoria sat at the anchor desk, the silver gown she had worn to the gala now wrinkled and stained with rain, but her face was absolute perfection under the studio lights. She didn't look at the prompter. She looked directly into the lens of Camera One—directly into the living rooms of millions of New England citizens waking up for their morning coffee.

May you like

"Good morning, Boston," Victoria said, her voice clear, calm, and terrifyingly resonant. "My name is Victoria Harrington. I am a corporate attorney, a resident of this city, and a mother. For the past three weeks, the Vance family has told you that their sudden corporate restructuring was a private matter. They lied. At this very moment, an illegal private military force funded by the Lockhart Trust is attempting to breach this building to silence me. Why? Because I hold the evidence of a multi-decade criminal enterprise that has compromised your politicians, stolen your pensions, and terrorized your neighborhoods."

Beside her, Julian Vance stepped into the frame, his face bruised, his voice steady as he held his signed affidavit up to the camera. "My name is Julian Vance. And everything she is about to tell you is the absolute truth."

Other posts